Puga just gave me nightmare material for the next year or so, and Mak unwittingly provided the perfect soundtrack. If they can work in Paddington as part of the origin story, all the better. damn."īrilliant someone needs to start a new horror film franchise based on that EXACT premise, ASAP. If I ever need to battle a possessed Teddy Ruxpin to the death, I couldn't think of a more befitting theme for my troubles, though I'd need to transfer it to a cassette tape first. It hit the tone we were going for in spades, even adding a bit of creepiness & fear into the equation. When Mak submitted a wip for the project I knew we had to have it. I was always fascinated by just how dark & violent the game was, especially by the standards back then. "I never played Splatterhouse, but I remember seeing others play it as a kid. Manic, alarming, disturbing, and liable to have you questioning your sanity, Mak's really turned this one up to 11 and conjured some seriously sinister sounds. Not to be confused with THE Hunger (which is neverending), this arrangement of the boss named "Teddy Bear" will have you looking at stuffed animals in a whole new way. Still, I love melodic music, so I tried to make it hard, heavy, powerful and beautiful. Source tune has lot of mystery stuff, IMO, but lack of power and hardness. I chose this source because it was easy to work with. I want to play the first game, but I can't find it. We actually posted a creepy-as-all-heck arrangement of Splatterhouse 3 by Beckett007 back in 2008, but this track - our third posted ReMix from Mak Eightman - goes in a much more aggressive, in-your-face, run-for-your-life metal approach, as befits its inclusion on BA2:
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